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To Carry My Cross: Aaron Kudi @ 1-54 NY

Starrett-Lehigh Building, New York, 14 - 17 May 2026 
  • Overview
  • Works
  • Press release
Overview
Open a larger version of the following image in a popup: To Carry My Cross, Aaron Kudi @ 1-54 NY
Booth 17
Adegbola Gallery presents Aaron Kudi at 1-54 Contemporary African Art Fair, New York, 2026, marking the gallery’s first presentation at the fair. The booth features a new body of work by the Nigeria-born artist, who lives and works in London and is completing his MFA at the Slade School of Fine Art, London, in June 2026.
 
The presentation centers on paintings that explore what it means to remain psychologically and morally present in a world marked by suffering. Informed by Gethsemane, the works paint the residue of suffering through silence, dread, endurance, and the strain of continued witness. Across the presentation, pain appears as something absorbed, carried, and lived with, leaving its weight on the surface.
 
Working on glazed tarpaulin and cotton duck canvas, Kudi builds his surfaces through liquid metal, ink, enamel, and acrylic. Layering, settling, cracking, and erosion shape each composition, guided by a sustained attention to process, repetition, and restraint. His paintings develop through close observation of material behavior, in which pressure, control, and release remain in active relation.
 
Set within antique gold frames, the paintings enter into deliberate tension with the European institutional structures that have historically shaped how painting is framed and received. At the same time, Kudi’s practice draws ancestral visual knowledge into conversation with the formal language of international abstraction. This places the work within a broader modernist history shaped through non-Western perspectives, bringing local systems of knowledge into dialogue with abstraction.
 
Titles such as Pillars of the Firmament, Syllables for a Midnight Vigil, and Hymn to the Heavy Root extend the presentation’s interest in time, transformation, and interior states. 
 
Presented by Adegbola Gallery, a Lagos-based gallery with a program grounded in research, historical continuity, and rigorous curatorial thinking, the booth reflects the gallery’s commitment to artists whose practices are shaped by material intelligence and sustained inquiry.
  • View Catalogue
Works
  • Aaron Kudi, Aporia of the Molten Core, 2026
    Aaron Kudi, Aporia of the Molten Core, 2026
  • Aaron Kudi, Epistle to the Red Dust, 2026
    Aaron Kudi, Epistle to the Red Dust, 2026
  • Aaron Kudi, Extraction of the Unguent, 2026
    Aaron Kudi, Extraction of the Unguent, 2026
  • Aaron Kudi, Gethsemane, 2026
    Aaron Kudi, Gethsemane, 2026
  • Aaron Kudi, Hymn to the Heavy Root, 2026
    Aaron Kudi, Hymn to the Heavy Root, 2026
  • Aaron Kudi, Lazarus, 2026
    Aaron Kudi, Lazarus, 2026
  • Aaron Kudi, Pillars of the Firmament, 2026
    Aaron Kudi, Pillars of the Firmament, 2026
  • Aaron Kudi, Syllables for a Midnight Vigil, 2026
    Aaron Kudi, Syllables for a Midnight Vigil, 2026
  • Aaron Kudi, The Beautiful Panic of Grace
    Aaron Kudi, The Beautiful Panic of Grace
  • Aaron Kudi, The Heart That Devours the Horizon, 2026
    Aaron Kudi, The Heart That Devours the Horizon, 2026
  • Aaron Kudi, The Mercy Seat, 2026
    Aaron Kudi, The Mercy Seat, 2026
  • Aaron Kudi, He Asked the Hours, 2026
    Aaron Kudi, He Asked the Hours, 2026
  • Aaron Kudi, The Hour Before the Hour, 2026
    Aaron Kudi, The Hour Before the Hour, 2026
  • Aaron Kudi, The Wind That Stayed, 2026
    Aaron Kudi, The Wind That Stayed, 2026
  • Aaron Kudi, Untitled, 2026
    Aaron Kudi, Untitled, 2026
  • Aaron Kudi, Vespers, 2026
    Aaron Kudi, Vespers, 2026
  • Aaron Kudi, What the Garden Knew, 2026
    Aaron Kudi, What the Garden Knew, 2026
  • Aaron Kudi, Where the Olive Trees Bend, 2026
    Aaron Kudi, Where the Olive Trees Bend, 2026
Press release
Aaron Kudi, Aporia of the Molten Core, 2026
Aaron Kudi, Aporia of the Molten Core, 2026
View works
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Related artist

  • Aaron Kudi

    Aaron Kudi

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